{"id":11557,"date":"2024-02-26T10:40:20","date_gmt":"2024-02-26T08:40:20","guid":{"rendered":"https:\/\/www.rchumanities.gr\/?page_id=11557"},"modified":"2024-02-26T10:40:20","modified_gmt":"2024-02-26T08:40:20","slug":"alexandra-karamoutsiou","status":"publish","type":"page","link":"https:\/\/www.rchumanities.gr\/en\/alexandra-karamoutsiou\/","title":{"rendered":"Alexandra Karamoutsiou"},"content":{"rendered":"<h2 style=\"text-align: justify;\">Postdoctoral\u00a0Researcher &#8211; Adjunct Lecturer, School of Music Studies, Aristotle University of Thessaloniki<\/h2>\n<h4><strong>Title of research proposal: &#8220;<\/strong>Social sustainability and urban music communities: the D.I.Y music studios of Thessaloniki as a springboard for interdisciplinary historiographical approaches&#8221;<\/h4>\n<p style=\"text-align: justify;\"><div class=\"su-tabs su-tabs-style-horizontal su-tabs-mobile-stack\" data-active=\"1\" data-scroll-offset=\"0\" data-anchor-in-url=\"no\"><div class=\"su-tabs-nav\"><span class=\"\" data-url=\"\" data-target=\"blank\" tabindex=\"0\" role=\"button\">Bio<\/span><span class=\"\" data-url=\"\" data-target=\"blank\" tabindex=\"0\" role=\"button\">Publications and more<\/span><\/div><div class=\"su-tabs-panes\"><div class=\"su-tabs-pane su-u-clearfix su-u-trim\" data-title=\"Bio\">\n<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11559 alignleft\" src=\"https:\/\/www.rchumanities.gr\/wp-content\/uploads\/2024\/02\/karamoutsiou-300x300.png\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/www.rchumanities.gr\/wp-content\/uploads\/2024\/02\/karamoutsiou-300x300.png 300w, https:\/\/www.rchumanities.gr\/wp-content\/uploads\/2024\/02\/karamoutsiou-150x150.png 150w, https:\/\/www.rchumanities.gr\/wp-content\/uploads\/2024\/02\/karamoutsiou.png 606w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><strong>Alexandra Karamoutsiou<\/strong> is a PhD holder from the School of Music Studies of Aristotle University of Thessaloniki and a postdoc researcher at the same department. She is interested in the historical, political, cultural, and sociological mediations of musicking and the formation of urban music communities. Particularly, her research is focused on the DIY music practices of Thessaloniki since the Post Junta period. She is an active musician (vocalist and violinist) exploring different musical genres from classical to experimental music and from afro-cuban to Greek rebetiko. Since 2017 has presented parts of her research work in conferences in Greece and abroad such as IASPM and KISMIF. She is a founding member of the Critical Music Histories (CMH) study group and an active member of the Popular Music in Greece: International Research Consortium. At the moment she is an adjunct lecturer at the School of Music Studies of Aristotle University of Thessaloniki.<\/p>\n<p style=\"text-align: justify;\"><\/div>\n<div class=\"su-tabs-pane su-u-clearfix su-u-trim\" data-title=\"Publications and more\">\n<p><strong>Publications<\/strong><\/p>\n<ul>\n<li>Karamoutsiou, Alexandra. (upcoming 2024). \u201cIn search of a way-out: Thessaloniki\u2019s DIY music studios as heterotopic spaces\u201d. In <em>Mousikos Logos, <\/em>Issue. 5. <a href=\"https:\/\/m-logos.gr\/\" target=\"_blank\" rel=\"noopener\">https:\/\/m-logos.gr\/<\/a><\/li>\n<li>Karamoutsiou, Alexandra. 2022. \u201cNot just\u2026 &#8216;Angry music for angry people&#8217;: Thessaloniki&#8217;s DIY music activity and &#8216;The Capitalist State of Metapolitefsi&#8217;\u201d<em>. <\/em>In <em>Keep it Simple Make it fast, DIY Cultures and Global Challenges, <\/em>vol.5, 131-39. <a href=\"https:\/\/ler.letras.up.pt\/uploads\/ficheiros\/19237.pdf\" target=\"_blank\" rel=\"noopener\">https:\/\/ler.letras.up.pt\/uploads\/ficheiros\/19237.pdf<\/a><\/li>\n<li>Karamoutsiou, Alexandra. 2020.\u201cNot Just a Zine: the \u201cRollin Under\u201d Zine and Thessaloniki\u2019s DIY Music making (1985\u20131990). Thessaloniki\u2019s DIY Music Scene\u201d. In <em>Forum Historiae<\/em>, Vol. 14, No. 2, s. 58-72. ISSN 1337- 6861.doi: <a href=\"https:\/\/doi.org\/10.31577\/forhist.2020.14.2.4\" target=\"_blank\" rel=\"noopener\">https:\/\/doi.org\/10.31577\/forhist.2020.14.2.4<\/a><\/li>\n<li>Karamoutsiou, Maria, Alexandra Karamoutsiou, Vivian Doumpa. 2019. \u201c<a href=\"https:\/\/www.academia.edu\/42344977\/Listen_to_the_space_see_the_sound_The_city_as_a_motive_for_a_collaborative_performance\" target=\"_blank\" rel=\"noopener\">Listen to the space, see the sound: The city as a motive for a collaborative<\/a> <a href=\"https:\/\/www.academia.edu\/42344977\/Listen_to_the_space_see_the_sound_The_city_as_a_motive_for_a_collaborative_performance\">performance<\/a>\u201d. In <em>Theater\/Drama &amp; Performing Arts in Education: Utopia or necessity?<\/em> Proceedings from the 8<sup>th<\/sup> International Conference of the Hellenic Theatre\/Drama &amp; Education Network, Athens. Edited by Betty Giannouli, Marios Koukounaras-Liagkis.\u00a0<a href=\"https:\/\/theatroedu.gr\/LinkClick.aspx?fileticket=18xnMlIrdzc%3d&amp;portalid=0&amp;language=el-GR\" target=\"_blank\" rel=\"noopener\">https:\/\/theatroedu.gr\/LinkClick.aspx?fileticket=18xnMlIrdzc%3d&amp;portalid=0&amp;language=el-GR<\/a><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p><strong>Presentations in International Conferences<\/strong><\/p>\n<ul>\n<li>\u0391. Karamoutsiou. 2023. \u201cUrban music histories: the story of Thessaloniki\u2019s D.I.Y. music studios.\u201d <em>1<sup>st<\/sup> International Conference for Popular music in Greece. <\/em>15-17 July, Cultural and Folklore Association of Skopelos and Music Department of Illinois University <a href=\"https:\/\/www.sporadesnews.gr\/politismos\/skopelos-diethnes-synedrio-gia-ti-dimofili-mousiki-stin-ellada-efcharisties-kai-prooptikes\/\" target=\"_blank\" rel=\"noopener\">https:\/\/www.sporadesnews.gr\/politismos\/skopelos-diethnes-synedrio-gia-ti-dimofili-mousiki-stin-ellada-efcharisties-kai-prooptikes\/<\/a><\/li>\n<li>O. Daniel, A. Karamoutsiou and M. Miroslav. 2022. \u201cLocal Punk Zines and Global Networks, Thessaloniki and Brno in Transition\u201d. <em>The 9th Annual Punk Scholars Conference and Postgraduate Symposium<\/em>, UK. 2-3 December, Middlesex University <a href=\"https:\/\/www.punkscholarsnetwork.com\/middlesex-conference-2022\" target=\"_blank\" rel=\"noopener\">https:\/\/www.punkscholarsnetwork.com\/middlesex-conference-2022<\/a><\/li>\n<li>\u0391. Karamoutsiou. 2018. <em>\u201cAt the mercy of modernization\u2026\u201d<\/em>: Histories of DIY music-making scene in Thessaloniki, the case of \u201cNAFTIA\u201d band on <em>Musicology (in) action: Past Musics, Present Practices, Future Prospects, International PhD Graduate Student Conference, <\/em>9-11 February, Aristotle University of Thessaloniki and University of Macedonia. <a href=\"https:\/\/www.academia.edu\/35186763\/Histories_of_DIY_music_making_scene_in_Thessaloniki_the_case_of_NAYTIA_band\">https:\/\/www.academia.edu\/35186763\/Histories_of_DIY_music_making_s<\/a> <a href=\"https:\/\/www.academia.edu\/35186763\/Histories_of_DIY_music_making_scene_in_Thessaloniki_the_case_of_NAYTIA_band\" target=\"_blank\" rel=\"noopener\">cene_in_Thessaloniki_the_case_of_NAYTIA_band<\/a><\/li>\n<li>Karamoutsiou. 2018. \u201c\u2018Woman..a fragmented image\u2026\u2019: The DIY music- making scene in Thessaloniki and female participation. The cases of Naftia and No Sin\u201d \u03c3\u03c4\u03bf KISMIF 2018, <em>Gender Differences, Identities and DIY Cultures, <\/em>4-7 July 2018 Faculty of Arts and Humanities of the University of Porto, <a href=\"https:\/\/www.kismifconference.com\/en\/\" target=\"_blank\" rel=\"noopener\">https:\/\/www.kismifconference.com\/en\/<\/a><\/li>\n<li>Karamoutsiou &amp; V. Doumpa. 2017. \u201cResearching and listening to the \u201cother\u201d voices of Valaoritou Area: an interdisciplinary and experiential approach\u201d on IASPM 2017 (19th Biennial Conference of the International Association for the Study of Popular Music), <em>Popular Music Studies Today, <\/em>26-30 June 2017 University of Kassel Germany, <a href=\"http:\/\/iaspm2017.uni-kassel.de\/\" target=\"_blank\" rel=\"noopener\">http:\/\/iaspm2017.uni-<\/a> <a href=\"http:\/\/iaspm2017.uni-kassel.de\/\">kassel.de\/<\/a><\/li>\n<\/ul>\n<p style=\"text-align: justify;\"><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Postdoctoral\u00a0Researcher &#8211; Adjunct Lecturer, School of Music Studies, Aristotle University of Thessaloniki Title of research proposal: &#8220;Social sustainability and urban music communities: the D.I.Y music studios of Thessaloniki as a springboard for interdisciplinary historiographical approaches&#8221;<\/p>\n","protected":false},"author":5,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-11557","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.rchumanities.gr\/en\/wp-json\/wp\/v2\/pages\/11557","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.rchumanities.gr\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.rchumanities.gr\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.rchumanities.gr\/en\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rchumanities.gr\/en\/wp-json\/wp\/v2\/comments?post=11557"}],"version-history":[{"count":3,"href":"https:\/\/www.rchumanities.gr\/en\/wp-json\/wp\/v2\/pages\/11557\/revisions"}],"predecessor-version":[{"id":11565,"href":"https:\/\/www.rchumanities.gr\/en\/wp-json\/wp\/v2\/pages\/11557\/revisions\/11565"}],"wp:attachment":[{"href":"https:\/\/www.rchumanities.gr\/en\/wp-json\/wp\/v2\/media?parent=11557"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}