{"id":11624,"date":"2024-02-26T10:41:14","date_gmt":"2024-02-26T08:41:14","guid":{"rendered":"https:\/\/www.rchumanities.gr\/?page_id=11624"},"modified":"2024-02-26T11:03:32","modified_gmt":"2024-02-26T09:03:32","slug":"athanasios-zagorisios","status":"publish","type":"page","link":"https:\/\/www.rchumanities.gr\/en\/fellows-2024\/athanasios-zagorisios\/","title":{"rendered":"Thanos Zagorisios"},"content":{"rendered":"

PhD in Architecture National Techical University of Athens<\/h2>\n

Title of research proposal: “<\/strong>Hakanasa: The Japanese Aesthetics of engagement with impermanence and form”<\/h4>\n

Bio<\/span>Publications - Exhibitions<\/span><\/div>
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\"\"<\/p>\n

Thanos Zagorisios<\/strong> studied Architecture at the Aristotle University of Thessaloniki. He continued his postgraduate studies in Architectural Design at the National Technical University of Athens, in Contemporary Art Theory at the Universitat Aut\u00f3noma de Barcelona, and in Visual Arts at the Athens School of Fine Arts. He holds a Ph.D. in Architecture from the National Technical Univeristy of Athens. He has worked as a lecturer and as a research fellow at the Aristotle University of Thessaloniki, the National Kapodistrian University of Athens, Kyoto University in Japan, the Accademia di architettura di Mendrisio in Switzerland, the Royal Danish Academy of Fine Arts in Denmark and the University of Patras. His works have been exhibited internationally, and he has received awards and scholarships from numerous institutions in Greece and abroad.<\/p>\n

<\/div>\n

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Publications (selected):<\/strong><\/p>\n

    \n
  • \u0396\u03b1\u03b3\u03bf\u03c1\u03af\u03c3\u03b9\u03bf\u03c2, \u0391\u03b8. (2018). Teshima Art Museum: Ryue Nishizawa & Rei Naito, \u0391\u03c6\u03b5\u03c4\u03b7\u03c1\u03af\u03b5\u03c2<\/em> \u03c4\u03cc\u03bc\u03bf\u03c2<\/em> 2<\/em>, \u0391\u03b8\u03ae\u03bd\u03b1: \u0394\u03bf\u03bc\u03ad\u03c2.<\/li>\n
  • Zagorisios, Ath. (2016). R\u00e9v\u00e9l\u00e9e (revealed), Moment Grec, Collectif sous la direction d\u2019Emmanuel Saulnier<\/em>, Paris: Editions du Regard.<\/li>\n
  • \u0396\u03b1\u03b3\u03bf\u03c1\u03af\u03c3\u03b9\u03bf\u03c2, \u0391\u03b8. (2012). \u03a4\u03bf \u0399\u03b1\u03c0\u03c9\u03bd\u03b9\u03ba\u03cc \u0394\u03c9\u03bc\u03ac\u03c4\u03b9\u03bf \u03a4\u03b5\u03bb\u03b5\u03c4\u03ae\u03c2 \u03c4\u03bf\u03c5 \u03a4\u03c3\u03b1\u03b3\u03b9\u03bf\u03cd. \u0397 \u0395\u03ba\u03b4\u03af\u03c0\u03bb\u03c9\u03c3\u03b7 \u03c4\u03b7\u03c2 \u0394\u03b9\u03b1\u03bc\u03b5\u03c3\u03bf\u03bb\u03ac\u03b2\u03b7\u03c3\u03b7\u03c2 \u03ba\u03b1\u03b9 \u03bf \u039c\u03b5\u03c4\u03b5\u03c9\u03c1\u03b9\u03c3\u03bc\u03cc\u03c2 \u03c4\u03bf\u03c5 \u039d\u03bf\u03ae\u03bc\u03b1\u03c4\u03bf\u03c2. \u0388\u03c1\u03b5\u03c5\u03bd\u03b1 \u03c3\u03c4\u03b7<\/em>\u03bd \u0391\u03c1\u03c7\u03b9\u03c4\u03b5\u03ba\u03c4\u03bf\u03bd\u03b9\u03ba\u03ae 2<\/em>, \u0391\u03b8\u03ae\u03bd\u03b1: \u0395\u03ba\u03b4\u03cc\u03c3\u03b5\u03b9\u03c2 \u0391\u03bb\u03b5\u03be\u03ac\u03bd\u03b4\u03c1\u03b5\u03b9\u03b1.<\/li>\n
  • \u0396\u03b1\u03b3\u03bf\u03c1\u03af\u03c3\u03b9\u03bf\u03c2, \u0391\u03b8. (2007). James Turrell: \u039c\u03af\u03b1 \u0395\u03b3\u03ba\u03b1\u03c4\u03ac\u03c3\u03c4\u03b1\u03c3\u03b7 \u03c3\u03c4\u03b7 \u0398\u03b5\u03c3\u03c3\u03b1\u03bb\u03bf\u03bd\u03af\u03ba\u03b7, \u03a4\u03bc\u03ae\u03bc\u03b1 \u0391\u03c1\u03c7\u03b9\u03c4\u03b5\u03ba\u03c4\u03cc\u03bd\u03c9\u03bd \u039c\u03b7\u03c7\u03b1\u03bd\u03b9\u03ba\u03ce\u03bd, <\/em>\u0398\u03b5\u03c3\u03c3\u03b1\u03bb\u03bf\u03bd\u03af\u03ba\u03b7: \u0395\u03ba\u03b4\u03cc\u03c3\u03b5\u03b9\u03c2 \u0396\u03ae\u03c4\u03b7.<\/li>\n
  • Zagorisios, Ath. (2006). Spatiotemporal Intermediations, Poesy & Architecture<\/em>, Kyoto: Imura Editions.<\/li>\n<\/ul>\n

    Exhibitions:<\/strong><\/p>\n

      \n
    • How <\/em>C<\/em>an <\/em>W<\/em>e Remember What Cannot Be Seen<\/em>. Paris: Gallery Laure Roynette, 2016.<\/li>\n
    • Hyam-Erotimatiko<\/em>. Paris: Artcurial, 2014.<\/li>\n
    • \u0395\u03ba \u03bd\u03ad\u03bf\u03c5: \u039c\u03b9\u03b1 \u039d\u03ad\u03b1 \u0393\u03b5\u03bd\u03b9\u03ac \u0395\u03bb\u03bb\u03ae\u03bd\u03c9\u03bd \u039a\u03b1\u03bb\u03bb\u03b9\u03c4\u03b5\u03c7\u03bd\u03ce\u03bd.<\/em> \u0391\u03b8\u03ae\u03bd\u03b1: \u0395\u03b8\u03bd\u03b9\u03ba\u03cc \u039c\u03bf\u03c5\u03c3\u03b5\u03af\u03bf \u03a3\u03cd\u03b3\u03c7\u03c1\u03bf\u03bd\u03b7\u03c2 \u03a4\u03ad\u03c7\u03bd\u03b7\u03c2, 2013.<\/li>\n
    • Response<\/em>. Kyoto: Imura Art Gallery, 2006.<\/li>\n
    • Kyoto: Kyoto International Community House, 2005.<\/li>\n<\/ul>\n

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