{"id":6250,"date":"2018-12-20T13:49:04","date_gmt":"2018-12-20T11:49:04","guid":{"rendered":"https:\/\/www.rchumanities.gr\/?p=6250"},"modified":"2022-01-10T12:20:14","modified_gmt":"2022-01-10T10:20:14","slug":"omada-rikou-konstantinou","status":"publish","type":"post","link":"https:\/\/www.rchumanities.gr\/en\/omada-rikou-konstantinou\/","title":{"rendered":"&#8220;Artistic research in Greece, from the 1990s to the years of the crisis&#8221;"},"content":{"rendered":"<p style=\"text-align: justify;\"><div class=\"su-tabs su-tabs-style-horizontal su-tabs-mobile-stack\" data-active=\"1\" data-scroll-offset=\"0\" data-anchor-in-url=\"no\"><div class=\"su-tabs-nav\"><span class=\"\" data-url=\"\" data-target=\"blank\" tabindex=\"0\" role=\"button\">Research Proposal<\/span><span class=\"\" data-url=\"\" data-target=\"blank\" tabindex=\"0\" role=\"button\">Conference<\/span><span class=\"\" data-url=\"\" data-target=\"blank\" tabindex=\"0\" role=\"button\">Artist Talks<\/span><span class=\"\" data-url=\"\" data-target=\"blank\" tabindex=\"0\" role=\"button\">Research Results<\/span><span class=\"\" data-url=\"\" data-target=\"blank\" tabindex=\"0\" role=\"button\">Short Bio<\/span><span class=\"\" data-url=\"\" data-target=\"blank\" tabindex=\"0\" role=\"button\">Publications<\/span><\/div><div class=\"su-tabs-panes\"><div class=\"su-tabs-pane su-u-clearfix su-u-trim\" data-title=\"Research Proposal\">\n<h4 style=\"text-align: justify;\">Summary of the Research Proposal<\/h4>\n<p style=\"text-align: justify;\">This project considers the study of recent developments on artistic research in Greece as an occasion for an important theoretical and methodological contribution in this newly established field. It is timely in doing so, both given that artistic research, its history and prospects are of great interest internationally, and in view of the fact that, even though artistic research has become essential in cultural production of value worldwide, it is still not well documented as a social phenomenon and remains under-theorized, in need of specific case studies.<\/p>\n<p style=\"text-align: justify;\">The term artistic research, referring to activities in the processes of art production that could qualify as \u201cresearch,\u201d is relatively recent but it has already been strongly debated. This project responds to the growing interest for artistic research, nowadays, related to current drifts in the arts, which may be understood as a confirmation of the artists\u2019 innovative spirit that opens up new perspectives for scientists themselves or as a by-product of neoliberal antagonistic relationships in education that could restrict artistic freedom by creating a new academy.<\/p>\n<p style=\"text-align: justify;\">The project focuses on the fact that since the 1990s artistic research has seen a significant development in Greece too, due to artistic initiatives drawing from social sciences and humanities in order to produce art with political overtones. This tendency has been reinforced during the current crisis when the need for art activism was clearly felt and encouraged by the international attention that contemporary Greek art production gained. Meanwhile, Greek Fine Arts Schools face the challenge of artistic research and of further updating their curriculums.<\/p>\n<p style=\"text-align: justify;\">The research project combines notions and tools from anthropology and art history in order to document and theorize artistic research in Greece from the 1990s, when it first appears, onward. Methodology and outcomes can be summarized as follows: 1) An archive of artworks, artists, and exhibitions will be developed. 2) An online platform will be designed and implemented in order to host the research material. 3) A selection of projects will be uploaded into an international database for artistic research, also offering artistic research in Greece wider visibility. 4) Four selected in-progress artistic researches will be compared through participatory observation and in-depth interviews. 5) An article theorizing the field of artistic research in Greece will be submitted to a relevant peer-reviewed journal. 6) An event will be organized to publicize the research results and serve as an occasion for an informed dialogue amongst Greek and international artists, scientists and theorists.<\/p>\n<p style=\"text-align: justify;\">This project will provide a solid background for the study of artistic research culture within and around academia both in Greece and internationally and will deepen our understanding of art-making processes, their institutional context and the public perception of contemporary arts. A number of questions on creativity, interdisciplinarity, and collaboration in scientific and artistic research will be posed and their educational and political implications will be thoroughly considered.<\/p>\n<p style=\"text-align: justify;\"><\/div>\n<div class=\"su-tabs-pane su-u-clearfix su-u-trim\" data-title=\"Conference\">To view the conference\u2019s program in Greek, click\u00a0<a href=\"https:\/\/www.rchumanities.gr\/omada-rikou-konstantinou\/\" target=\"_blank\" rel=\"noopener noreferrer\">here<\/a>\u00a0and browse to the tab \u201c\u0397\u03bc\u03b5\u03c1\u03af\u03b4\u03b1\u201d.<\/div>\n<div class=\"su-tabs-pane su-u-clearfix su-u-trim\" data-title=\"Artist Talks\">\n<h5><b>Visual Arts<\/b><\/h5>\n<p>A series of artist talks was organized at TWIXTlab as part of the ongoing study of artistic research in Greece. Beginning in spring 2019, invited artists will talk about their work responding to issues regarding the production and representation of knowledge, and the ways in which artistic research is being perceived within the current artistic, educational, socio-political context.<\/p>\n<p>The study of artistic research is being conducted by the visual artist and anthropologist\u00a0Elpida Rikou\u00a0and the art historian\u00a0Katerina Konstantinou\u00a0with the generous support of the Research Centre for the Humanities and in collaboration with\u00a0<a href=\"https:\/\/www.facebook.com\/twixtlab\/\" target=\"_blank\" rel=\"noopener noreferrer\">TWIXTlab<\/a>. Studying artistic research nowadays in Greece aims at promoting the discussion about the poetics and politics of artistic research.<\/p>\n<p>&nbsp;<\/p>\n<h5>Program<\/h5>\n<p>Marilena Aligizaki, Saturday, March 23, 12:00-14:00<\/p>\n<p>Campus Novel, Saturday, March 30, 12:00-14:00<\/p>\n<p>Sofia Grigoriadou, Saturday, April 6, 12:00-14:00<\/p>\n<p>Fotini Gouseti, Saturday, April 13, 12:00-14:00<\/p>\n<p>Alexis Fidetzis, Saturday, May 11, 12:00-14:00<\/p>\n<p>Natasa Biza, Saturday, May 18, 12:00-14:00<\/p>\n<p>Eva Giannakopoulou, Saturday, June 8, 12:00-14:00<\/p>\n<p>Nina Pappa | Saturday, June 15,\u00a012:00-14:00<\/p>\n<p>Nikos Papadopoulos and Kostas Christopoulos (Omada Philopappou)\u00a0\u00a0| Saturday, October 12, 12:00 -14:00<\/p>\n<p>Vassilis Noulas and Kostas Tzimoulis (Kinisi Mavili)\u00a0| Saturday, October 19, 12:00 -14:00<\/p>\n<p>Jenny Marketou | Saturday, November 2, 12:00-14:00<\/p>\n<p>Maria Papadimitriou | Saturday, November 9, 12:00-14:00<\/p>\n<p>Yannis Pappas | Sunday, November 24, 12:00 -14:00<\/p>\n<p>Eleni Tzirtzilaki | Saturday, November 30, 12:00-14:00<\/p>\n<hr \/>\n<h5><b>Dance<\/b><\/h5>\n<p><span lang=\"EN-US\">October<\/span>\u2013\u00a0<span lang=\"EN-US\">December<\/span>\u00a02020 (<span lang=\"EN-US\">Monday<\/span>\u00a020:00-22:00)<\/p>\n<p><span lang=\"EN-US\">A series of ten artist talks and discussions about artistic research in the field of dance focusing on the choreographers\u2019 ideas and practices. The talks will take place online, in Greek language and are open to the public. \u00a0<\/span><\/p>\n<p><span lang=\"EN-US\">Curator:\u00a0<a href=\"https:\/\/tsintzilonisteriani.wordpress.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Steriani Tsintziloni<\/a>, dance theorist and researcher.<\/span><\/p>\n<p><span lang=\"EN-US\">With the collaboration of the\u00a0<a href=\"https:\/\/www.duncandancecenter.org\/\" target=\"_blank\" rel=\"noopener noreferrer\">Duncan Dance Research Center.<\/a><\/span><\/p>\n<p><span lang=\"EN-US\">The 3<sup>rd<\/sup>\u00a0series of artist talks are organized as part of the research on artistic research in Greece which started in 2019 by Elpida Rikou, artist, anthropologist and founding member of TWIXTlab. The research\u2019s first year focused on the visual arts with the collaboration of art historian Katerina Konstantinou and the support of the Research Centre for the Humanites<\/span><span lang=\"EN-US\">.\u00a0<\/span><\/p>\n<h5><span lang=\"EN-US\">Program<\/span><\/h5>\n<p><span lang=\"EN-US\">12\/10\/20 |\u00a0<\/span><span lang=\"EN-US\">Mariela Nestora (choreographer, B.Sc., M.Sc., M.A. practice based artistic research Master Theater Practices, ArtEz, Arnhem, Netherlands)<\/span><\/p>\n<p><span lang=\"FR\">19\/10\/20 |\u00a0<\/span><span lang=\"FR\">Dimitris Mytilinaios (choreographer,\u00a0<\/span>\u039c<span lang=\"FR\">aster\u00a0<\/span>\u0395<span lang=\"FR\">xerce-ICI-CCN Universit\u00e9 III Paul-Val\u00e9ry-Montpellier)<\/span><\/p>\n<p><span lang=\"EN-US\">26\/10\/20 |\u00a0<\/span><span lang=\"EN-US\">Fotini Stamatelopoulou (choreographer, Researcher in Performance Psychology)<\/span><\/p>\n<p><span lang=\"EN-US\">2\/11\/20 |\u00a0<\/span><span lang=\"EN-US\">Sofia Mavragani (choreographer)<\/span><\/p>\n<p><span lang=\"EN-US\">9\/11\/20 |\u00a0<\/span><span lang=\"EN-US\">Efrosyni Protopapa (choreographer, Assistant Professor University of Roehampton, practice-based PhD in choreography)<\/span><\/p>\n<p><span lang=\"EN-US\">16\/11\/20 |\u00a0<\/span><span lang=\"EN-US\">Tzeni Argyriou (choreographer, performance maker)<\/span><\/p>\n<p><span lang=\"EN-US\">23\/11\/20 |\u00a0<\/span><span lang=\"EN-US\">Eleni Mylona (choreographer, MA practice based artistic research Theatre Practices, ArtEz, Arnhem, Netherlands)<\/span><\/p>\n<p><span lang=\"EN-US\">30\/11\/20|\u00a0<\/span><span lang=\"EN-US\">Iris Karayan (choreographer, Master of Arts in Performance and Culture, Goldsmiths College, UK)<\/span><\/p>\n<p><span lang=\"EN-US\">7\/12\/20 |\u00a0<\/span>\u0391\u03bd\u03b4\u03c1\u03bf\u03bd\u03af\u03ba\u03b7 \u039c\u03b1\u03c1\u03b1\u03b8\u03ac\u03ba\u03b7<span lang=\"EN-US\">\u00a0 (dance-maker, MA Performance Practices as Research, University of London, UK)<\/span><\/p>\n<p><span lang=\"EN-US\">14\/12\/20 |\u00a0<\/span><span lang=\"EN-US\">Zoi Dimitriou (choreographer, academic,\u00a0<\/span>\u039c\u0391<span lang=\"EN-US\">\u00a0in European Dance Theatre, Trinity Laban Conservatoire, PhD candidate University of Roehampton, UK).<\/span><\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<h5><strong>Music and Sound<\/strong><\/h5>\n<p>&nbsp;<\/p>\n<p><u>October-\u00a0December\u00a02021 (every Monday\u00a019:00-21:00)<\/u><\/p>\n<p>&nbsp;<\/p>\n<p>This is a series of eight talks and discussions about artistic research in the field of music and sound, that focus on the artists\u2019 ideas and practices. The talks will take place online, in Greek language and are open to the public.\u00a0\u00a0Our invited speakers are the following musicians and sound artists: Yannis Kotsonis &amp; Danae Stefanou, Marinos Koutsomichalis, Dana Papachristou &amp; George Samantas, Marianthi Papalexandri-Alexandri, Lorenda Ramou, Theodore Kitsos, Nicoleta Chatzopoulou. In the end of the series an open discussion entitled \u201c\u0392etween the archive and the field\u201d will take place, with short contributions by sound researchers and writers Eleni Ikoniadou, Panayotis Panopoulos and Anna Papaeti.<\/p>\n<p>&nbsp;<\/p>\n<p>Curator:\u00a0<strong><a href=\"http:\/\/users.auth.gr\/dstefano\">Danae Stefanou<\/a><\/strong>, Associate Professor, School of Music Studies, Aristotle University of Thessaloniki\u00a0<u>in collaboration with TWIXTlab<\/u>.\u00a0The 4<sup>th<\/sup>\u00a0series of artist talks are organized as part of the research on artistic research in Greece which started in 2019 by Elpida Rikou, (artist, anthropologist and founding member of TWIXTlab) following the first year kind support of the Research Centre for the Humanities (RCH) (<a href=\"https:\/\/artistic-research.gr\/about\/\">https:\/\/artistic-research.gr\/about\/<\/a>).<\/p>\n<p>&nbsp;<\/p>\n<p>25\/10\u00a0<strong>Yannis Kotsonis &amp; Danae Stefanou<\/strong><\/p>\n<p>1\/11\u00a0<strong>Marinos Koutsomichalis<\/strong><\/p>\n<p>8\/11\u00a0<strong>Dana Papachristou &amp; George Samantas<\/strong><\/p>\n<p>15\/11\u00a0<strong>Marianthi Papalexandri-Alexandri<\/strong><\/p>\n<p>22\/11\u00a0<strong>Lorenda Ramou<\/strong><\/p>\n<p>29\/11\u00a0<strong>Thodoris Kitsos<\/strong><\/p>\n<p>13\/12\u00a0<strong>Nicoleta Chatzopoulou<\/strong><\/p>\n<p>20\/12\u00a0Discussion: \u201cBetween the archive and the field\u201d (Participants: Eleni Ikoniadou, Panayotis Panopoulos, Anna Papaeti. Coordination: Danae Stefanou)<\/p>\n<p>The talks will take place online via zoom every Monday from 19:00 to 21:00. Participation is limited.<\/p>\n<p>The link for all talks is the following:<\/p>\n<p><a href=\"https:\/\/us02web.zoom.us\/j\/89846725938?pwd=T1VSTjZTdzhFZkpRbGJYM2NEcGxZZz09\">https:\/\/us02web.zoom.us\/j\/89846725938?pwd=T1VSTjZTdzhFZkpRbGJYM2NEcGxZZz09<\/a><\/p>\n<p>Meeting ID: 898 4672 5938<br \/>\nPasscode: 046598<\/p>\n<p>&nbsp;<\/p>\n<\/div>\n<div class=\"su-tabs-pane su-u-clearfix su-u-trim\" data-title=\"Research Results\">\n<h4>Research: \u201cArtistic research in Greece, from the 1990s to the years of the crisis\u201d<\/h4>\n<h5>Research Group: Elpida Rikou, Katerina Konstantinou<\/h5>\n<p><em>The research project &#8220;Artistic research in Greece, from the 1990s to the years of the crisis&#8221; was funded by the Research Centre for the Humanities (RCH) for the year 2019.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/artistic-research.gr\/\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/artistic-research.gr\/\u00a0<\/a><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\">This report offers an outline of the one-year-long research program on artistic research in Greece from the 1990s to the years of the \u201ccrisis\u201d conducted through 2019 with the generous support of the Research Center for the Humanities.<\/p>\n<p style=\"text-align: justify;\">Artistic research has emerged in contemporary arts during the 1990&#8217;s. Its development is related to concurrent turns in the arts such as the \u201cethnographic\u201d, the \u201carchaeological\u201d, the \u201chistorical\u201d, the \u201ceducational\u201d. Artistic research emergence is also associated to the introduction of the Bologna process in arts education, but has also been associated with the growing interest for innovative ways to do research, especially within the fields of humanities. Art has proved to be pioneering in introducing new methods and practices. Given the recent developments in research and arts education, as well as the social sciences and the humanities in Greece we believe that our research offers a timely contribution to understanding this under-theorized and largely unknown field.<\/p>\n<p style=\"text-align: justify;\">Our perspective is informed by anthropology and art theory and also by our own practice in diverse research projects between visual arts, anthropology, history and archaeology. Regarding our method in researching artistic research in Greece, we invited artists to talk about their work and research practices in public and these talks are available at <a href=\"http:\/\/www.artistic-research.gr\/\">www.artistic-research.gr<\/a>. TWIXTlab, a project space in Athens \u201csituated \u2018twixt\u2019 art, anthropology and the everyday\u201d, provided a hospitable place for the talks and the discussions between invited artists and its diverse public.<\/p>\n<p style=\"text-align: justify;\">Artist talks followed by public discussions helped us to initiate a vivid dialogue regarding the future of research, arts and humanities, education and cultural policy in Greece today. We invited fifteen artists of different generations, mostly implicated in the field of visual arts and in art education, but also in architecture and dance, hoping to expand in other domains such as photography and cinema while continuing this research in the future. All invited artists were asked to contribute one or more artistic research project for the online inventory of the program, which can be found in our website. We hope that this inventory will remain a useful tool for further research on the subject.<\/p>\n<p style=\"text-align: justify;\">Through this year-long program we had the chance to gather a rich set of research material and data which can be read and analyzed through various perspectives. Discussions with the audience of TWIXTlab that attended the artist talks as well as the one-day conference on artistic research in Greece that we organized in December 2019 provided a thorough insight into multiple concerns regarding different disciplinary fields (visual arts, art theory and art history, anthropology and cultural studies). Issues debated in the conference included contemporary arts developments during the so-called \u201cGreek crisis\u201d, challenges in exhibiting artistic research projects,\u00a0 particularities regarding research in art education and, especially in the case of anthropologists, their own contribution to this drift.<\/p>\n<p style=\"text-align: justify;\">Our research program is the first on artistic research in Greece and it has clearly demonstrated that this is an expanding tendency today, even beyond our own expectations. Therefore, more time is required to sufficiently record and understand this phenomenon. For the moment, we note down some findings which will help to adequately focus future research.<\/p>\n<p style=\"text-align: justify;\">Since 2004 when Greece hosted the Olympic Games, and more significantly through the years of the \u201ccrisis\u201d artistic research emerged and developed to be a current drift in the local art scene. At the same time, social sciences and humanities have been all the more interested in artistic research, even though scientists willing to experiment with art still remain but a few in Greek universities. Meanwhile, artists post-graduate curricula and the potential of practice-based PhDs within the Fine Art Schools seem to be at the core of the debate between art and academy.<\/p>\n<p style=\"text-align: justify;\">Our research primarily focused on the artists themselves and their work in order to bring to the fore their own point of view on research. Marilena Aligizaki, Natasa Biza, Eva Giannakopoulou, Sofia Grigoriadou, Fotini Gouseti, Jenny Marketou, Medie Megas, Nina Pappa, Maria Papadimitriou, Giannis Pappas, Eleni Tzirtzilaki and the collectives Campus Novel (Giannis Chimonakis, Giannis Delagrammatikas, Fotini Palpana, Giannis Sinioroglou, Ino Varvariti), Vaskos (Vassilis Noulas \u2015being also an ex-participant to the Kinisi Mavili collective\u2015 and Kostas Tzimoulis) and the Filopappou Group (represented by Kostas Christopoulos and Nikos Papadopoulos) were the artists who participated in our research by talking in public about their work.<\/p>\n<p style=\"text-align: justify;\">The field of contemporary art presents a great complexity and therefore resists generalizing research findings. Each artist\u2019s itinerary is constructed and presented as unique and original, and the ways (s)he understands when, why and how to do research are greatly varied. We tried to respond to this by adopting a step-by-step comparison and differentiation between the artists\u2019 works, guided by four case studies that we will further analyze. Nevertheless, we noted certain characteristics that most of these artists share: their rich and sometimes even diverse academic background, their interest in complex subject matters such as the body, performance, the public space and their preference for methods and references coming from social sciences and humanities. It is important though to point out that artistic research rarely informs scientific research.<\/p>\n<p style=\"text-align: justify;\">Moreover it seems that most of the artists are not ready to address \u201cdifficult\u201d issues with an epistemological, academic or even straightforward political interest concerning research and education in the arts in Greece nowadays. This may be partly due to the lack of relevant public dialogue. It is interesting, though, participants \u2013invited artists, theorists and the audience during the talks and the conference\u2013 were eager to debate the meaning of the term \u201cartistic research\u201d and its possible translations in Greek. This eagerness seemed \u2013at least to us\u2013 to be a reaction towards the newness of artistic research in the Greek art scene and education.<\/p>\n<p style=\"text-align: justify;\">Hopefully, our research has contributed to create a space for exchange and interaction concerning multiple meanings and ways of doing research, on and with art. Although we take into account the need to defend the art\u2019s freedom, potentially threatened by the academic norms, we do not wish to adopt such a dichotomy which simplifies what is at stake with artistic research today. Eventually, research might be art, not because all art is research but because research is art in the sense that it is a risk taking cultural activity that crosses boundaries to approach otherness.<\/p>\n<hr \/>\n<p style=\"text-align: justify;\">The full academic report for this research\u2019s results is available in Greek. To view it, click\u00a0<a href=\"https:\/\/www.rchumanities.gr\/omada-rikou-konstantinou\/\" target=\"_blank\" rel=\"noopener\">here<\/a>\u00a0and browse to the tab \u201c\u0391\u03c0\u03bf\u03c4\u03b5\u03bb\u03ad\u03c3\u03bc\u03b1\u03c4\u03b1 \u0388\u03c1\u03b5\u03c5\u03bd\u03b1\u03c2\u201d.<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\"><\/div>\n<div class=\"su-tabs-pane su-u-clearfix su-u-trim\" data-title=\"Short Bio\">\n<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-6243\" src=\"https:\/\/www.rchumanities.gr\/wp-content\/uploads\/2018\/12\/RIKOU-263x300.jpg\" alt=\"\" width=\"307\" height=\"350\" srcset=\"https:\/\/www.rchumanities.gr\/wp-content\/uploads\/2018\/12\/RIKOU-263x300.jpg 263w, https:\/\/www.rchumanities.gr\/wp-content\/uploads\/2018\/12\/RIKOU.jpg 402w\" sizes=\"auto, (max-width: 307px) 100vw, 307px\" \/><\/p>\n<p style=\"text-align: justify;\"><strong>Elpida Rikou<\/strong> has studied sociology (Panteion University, Athens), anthropology (D.E.A., Universit\u00e9 Paris V-Sorbonne), social psychology (D.E.A. and Ph.D, Ecole des Hautes Etudes en Sciences Sociales, Paris) and visual arts (Athens School of Fine Arts). She has taught Anthropology of Art in the Department of Theory and History of Art of the Athens School of Fine Arts from 2007 to 2017.From 2011 to 2013 she has also taught in the Postgraduate Program (Master in Fine Arts) of the Department of Visual Arts of the same School. She is the editor of the volume <em>Anthropology and Contemporary Art<\/em> (Alexandria, 2013) for\u00a0 which she has also written the introduction, as well as of the translation in Greek of Marc Aug\u00e9\u2019s book <em>Pour une anthropologie des mondes contemporains<\/em> (Alexandria, 1999). She has co-edited the translation in Greek of Alfred Gell\u2019s book <em>Art and Agency<\/em> (M.I.E.T., forthcoming), two volumes combining works of artists and social scientists on value (<em>\u0391\u03be\u03af\u03b1<\/em>, nissos, 2018) and on sound and voice (<em>\u03a6\u03c9\u03bd\u03ad\u03c2\/Fones<\/em>, nissos,2016), as well as the special issue of <em>FIELD.A journal of socially engaged art criticism<\/em> on research between art and anthropology (2018). She has published articles in scientific periodicals, edited collections, art catalogues and newspapers. She has conceived and coordinated several art projects with a transdisciplinary character in which she is also a participant as an anthropologist and visual artist, since 2010 (the art, research and education project TWIXTlab, with S.Grigoriadou and G.Samantas, the international research project \u201cLearning from documenta\u201d with E.Yalouri, etc.).<\/p>\n<hr \/>\n<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-6244 size-full\" src=\"https:\/\/www.rchumanities.gr\/wp-content\/uploads\/2018\/12\/Konstantinou.jpg\" alt=\"\" width=\"266\" height=\"237\" \/><\/p>\n<p style=\"text-align: justify;\"><strong>Katerina Konstantinou<\/strong> is an art historian and holds an MA in Exhibition Curating. She is currently a PhD candidate in the Department of Social Anthropology at Panteion University in Athens. Her research interests focus on the intersection of the fields of contemporary arts, anthropology and archaeology. She has participated in several research programs. She has worked for museums and cultural institutions in Greece and abroad. She has participated in conferences and she has published texts in collective volumes, exhibition catalogs and magazines. Lately, she has been closely collaborating with artists in various projects that involve research methods and practices into the art-making processes.<\/p>\n<p style=\"text-align: justify;\"><\/div>\n<div class=\"su-tabs-pane su-u-clearfix su-u-trim\" data-title=\"Publications\">\n<h4 style=\"text-align: justify;\">Selected Publications<\/h4>\n<ul style=\"text-align: justify;\">\n<li>2018, \u00ab\u0391\u03be\u03af\u03b1\u00bb (\u03c3\u03b5 \u03c3\u03c5\u03bd\u03b5\u03c1\u03b3\u03b1\u03c3\u03af\u03b1 \u03bc\u03b5 \u03c4\u03bf\u03c5\u03c2 \u0395. \u0393\u03b9\u03b1\u03bb\u03bf\u03cd\u03c1\u03b7, \u0391.\u039b\u03b1\u03bc\u03c0\u03c1\u03cc\u03c0\u03bf\u03c5\u03bb\u03bf).\u0391\u03b8\u03ae\u03bd\u03b1: \u03bd\u03ae\u03c3\u03bf\u03c2<\/li>\n<li>2016, \u00ab\u03a6\u03c9\u03bd\u03ad\u03c2\/Fon\u00e9s\u00bb(\u03c3\u03b5 \u03c3\u03c5\u03bd\u03b5\u03c1\u03b3\u03b1\u03c3\u03af\u03b1 \u03bc\u03b5 \u03c4\u03bf\u03bd \u03a0.\u03a0\u03b1\u03bd\u03cc\u03c0\u03bf\u03c5\u03bb\u03bf). \u0391\u03b8\u03ae\u03bd\u03b1: \u03bd\u03ae\u03c3\u03bf\u03c2. (\u03a3\u03c5\u03bb\u03bb\u03bf\u03b3\u03ae \u03ba\u03b5\u03b9\u03bc\u03ad\u03bd\u03c9\u03bd \u03ba\u03b1\u03b9 \u03ad\u03c1\u03b3\u03c9\u03bd \u03c4\u03c9\u03bd \u0391\u03b8\u03b1\u03bd\u03b1\u03c3\u03af\u03bf\u03c5, \u0391\u03bb\u03b9\u03b3\u03b9\u03b6\u03ac\u03ba\u03b7, \u0391\u03bd\u03c4\u03c9\u03bd\u03ac\u03ba\u03b7, \u0391\u03c1\u03b2\u03b1\u03bd\u03af\u03c4\u03b7, \u0393\u03b9\u03b1\u03bb\u03bf\u03cd\u03c1\u03b7, \u0393\u03ba\u03bb\u03af\u03bd\u03bf\u03c5, \u0393\u03c1\u03b7\u03b3\u03bf\u03c1\u03b9\u03ac\u03b4\u03bf\u03c5, \u0395\u03c1\u03c1\u03ac\u03bd\u03c4\u03b5\u03c2, \u0396\u03ae\u03ba\u03b1, \u039e\u03b1\u03b3\u03bf\u03c1\u03ac\u03c1\u03b7, \u039a\u03b1\u03c1\u03b1\u03c4\u03b6\u03b1\u03c6\u03ad\u03c1\u03b7, \u039a\u03bf\u03bd\u03b4\u03c5\u03bb\u03ac\u03c4\u03bf\u03c5, \u039a\u03c9\u03b2\u03b1\u03af\u03bf\u03c5, \u039c\u03c0\u03b1\u03ca\u03c1\u03b1\u03ba\u03c4\u03ac\u03c1\u03b7, \u039c\u03c0\u03ae\u03c4\u03bf\u03c5, \u039c\u03c0\u03bf\u03c5\u03bc\u03c0\u03ac\u03c1\u03b7, \u039d\u03c4\u03b5\u039b\u03b1\u03bd\u03bd\u03bf\u03c5\u03ac, \u03a0\u03b1\u03bd\u03cc\u03c0\u03bf\u03c5\u03bb\u03bf\u03c5, \u03a0\u03b1\u03c0\u03c0\u03ac, \u03a0\u03b1\u03c0\u03bf\u03c5\u03c4\u03c3\u03ac\u03ba\u03b7, \u03a1\u03b1\u03c5\u03c4\u03bf\u03c0\u03bf\u03cd\u03bb\u03bf\u03c5, \u03a1\u03b5\u03bc\u03bf\u03cd\u03bd\u03b4\u03bf\u03c5, \u03a1\u03b5\u03bc\u03cd, \u03a1\u03af\u03ba\u03bf\u03c5, \u03a3\u03b1\u03bc\u03b1\u03bd\u03c4\u03ac, \u03a3\u03b1\u03c1\u03b1\u03c6\u03b5\u03af\u03b4\u03bf\u03c5, \u03a3\u03b9\u03b1\u03c6\u03ac, \u03a3\u03ba\u03bb\u03b1\u03b2\u03b5\u03bd\u03af\u03c4\u03b7, \u03a3\u03c4\u03b5\u03c6\u03ac\u03bd\u03bf\u03c5, \u03a7\u03b1\u03b2\u03b9\u03b1\u03c1\u03ac, \u03a7\u03b1\u03c1\u03b1\u03bb\u03ac\u03bc\u03c0\u03bf\u03c5\u03c2. \u03a0\u03b5\u03c1\u03b9\u03bb\u03b1\u03bc\u03b2\u03ac\u03bd\u03b5\u03b9 \u03bc\u03b5\u03c4\u03ac\u03c6\u03c1\u03b1\u03c3\u03b7 \u03ba\u03b5\u03af\u03bc\u03b5\u03bd\u03bf\u03c5 \u03c4\u03bf\u03c5 \u0396.\u039b.\u039d\u03b1\u03bd\u03c3\u03cd)<\/li>\n<li>2013, \u00ab\u0391\u03bd\u03b8\u03c1\u03c9\u03c0\u03bf\u03bb\u03bf\u03b3\u03af\u03b1 \u03ba\u03b1\u03b9 \u03a3\u03cd\u03b3\u03c7\u03c1\u03bf\u03bd\u03b7 \u03a4\u03ad\u03c7\u03bd\u03b7\u00bb. \u0391\u03b8\u03ae\u03bd\u03b1: \u0395\u03ba\u03b4\u03cc\u03c3\u03b5\u03b9\u03c2 \u0391\u03bb\u03b5\u03be\u03ac\u03bd\u03b4\u03c1\u03b5\u03b9\u03b1. (\u03c3\u03c5\u03bb\u03bb\u03bf\u03b3\u03ae \u03ba\u03b5\u03b9\u03bc\u03ad\u03bd\u03c9\u03bd\/\u03c3\u03c5\u03b3\u03b3\u03c1\u03b1\u03c6\u03b5\u03af\u03c2: J.Clifford, J.Coote, H.Foster, A.Gell, P.Gow , G.Marcus, H.Morphy, F.Myers, J.Overing, J.Weiner. \u03a3\u03b5 \u03bc\u03b5\u03c4\u03ac\u03c6\u03c1\u03b1\u03c3\u03b7 \u03c4\u03c9\u03bd \u0392.\u0399\u03b1\u03ba\u03ce\u03b2\u03bf\u03c5, \u0395.\u039a\u03b1\u03c1\u03c1\u03ac, \u03a0.\u039c\u03b1\u03c1\u03ba\u03ad\u03c4\u03bf\u03c5, \u0394.\u03a3\u03b1\u03c1\u03b1\u03c6\u03b5\u03af\u03b4\u03bf\u03c5, \u0392.\u03a3\u03c0\u03c5\u03c1\u03bf\u03c0\u03bf\u03cd\u03bb\u03bf\u03c5, \u0391.\u03a4\u03c3\u03af\u03b3\u03ba\u03b1)<\/li>\n<li>(\u03c5\u03c0\u03cc \u03b4\u03b7\u03bc\u03bf\u03c3\u03af\u03b5\u03c5\u03c3\u03b7). \u00a0\u00a0Gell, \u0391.,\u00ab\u03a4\u03ad\u03c7\u03bd\u03b7 \u03ba\u03b1\u03b9 \u0394\u03c1\u03ac\u03c3\u03b7\u00bb (1\u03b7 \u03b5\u03ba\u03b4.1998). (\u03c3\u03b5 \u03c3\u03c5\u03bd\u03b5\u03c1\u03b3\u03b1\u03c3\u03af\u03b1 \u03bc\u03b5 \u03c4\u03bf\u03bd \u03a0.\u03a0\u03b1\u03bd\u03cc\u03c0\u03bf\u03c5\u03bb\u03bf), (\u039c\u03b5\u03c4\u03ac\u03c6\u03c1\u03b1\u03c3\u03b7: \u03a0.\u039c\u03b1\u03c1\u03ba\u03ad\u03c4\u03bf\u03c5). \u0391\u03b8\u03ae\u03bd\u03b1: \u0395\u03ba\u03b4\u03cc\u03c3\u03b5\u03b9\u03c2\u00a0 \u039c.\u0399.\u0395.\u03a4.<\/li>\n<li>1999, \u03a9\u03b6\u03ad, \u039c.,\u00ab\u0393\u03b9\u03b1 \u03bc\u03b9\u03b1 \u03b1\u03bd\u03b8\u03c1\u03c9\u03c0\u03bf\u03bb\u03bf\u03b3\u03af\u03b1 \u03c4\u03c9\u03bd \u03c3\u03cd\u03b3\u03c7\u03c1\u03bf\u03bd\u03c9\u03bd \u03ba\u03cc\u03c3\u03bc\u03c9\u03bd\u00bb (1\u03b7 \u03b5\u03ba\u03b4.1994). (\u039c\u03b5\u03c4\u03ac\u03c6\u03c1\u03b1\u03c3\u03b7: \u0394.\u03a3\u03b1\u03c1\u03b1\u03c6\u03b5\u03af\u03b4\u03bf\u03c5), \u0391\u03b8\u03ae\u03bd\u03b1: \u0395\u03ba\u03b4\u03cc\u03c3\u03b5\u03b9\u03c2 \u0391\u03bb\u03b5\u03be\u03ac\u03bd\u03b4\u03c1\u03b5\u03b9\u03b1. (\u03c0\u03b5\u03c1\u03b9\u03bb\u03b1\u03bc\u03b2\u03ac\u03bd\u03b5\u03b9 \u03c3\u03c5\u03bd\u03ad\u03bd\u03c4\u03b5\u03c5\u03be\u03b7 \u03c4\u03bf\u03c5 \u039c.\u03a9\u03b6\u03ad \u03c3\u03c4\u03b7\u03bd \u0395.\u03a1\u03af\u03ba\u03bf\u03c5)<\/li>\n<li>\u00a0(\u03c5\u03c0\u03bf \u03b4\u03b7\u03bc\u03bf\u03c3\u03af\u03b5\u03c5\u03c3\u03b7).\u00abContemporary Art and \u2018Difficult Heritage\u2019.Three case studies from Athens.\u00bb (\u03c3\u03b5 \u03c3\u03c5\u03bd\u03b5\u03c1\u03b3\u03b1\u03c3\u03af\u03b1 \u03bc\u03b5 \u03c4\u03b7\u03bd \u0395.\u0393\u03b9\u03b1\u03bb\u03bf\u03cd\u03c1\u03b7). \u03a3\u03c4\u03bf E.Solomon (\u03b5\u03c0\u03b9\u03bc.). Contested Antiquity, Indiana University Press.<\/li>\n<li>2014, \u00abWhen the \u2018dematerialization of the art object is taken to an extreme\u2019:Notes on\u2018materiality\u2019s relevance to the anthropology of contemporary art.\u00bb. \u03a3\u03c4\u03bf Bampilis T. &amp; P. ter Keurs (ed.),Social Matter(s).Anthropological Approaches to Materiality. \u039f\u03be\u03c6\u03cc\u03c1\u03b4\u03b7, \u039d\u03ad\u03b1 \u03a5\u03cc\u03c1\u03ba\u03b7: Berghah Books, \u03c3.183-192.<\/li>\n<li>2012, \u00ab\u0397 \u03c3\u03cd\u03b3\u03c7\u03c1\u03bf\u03bd\u03b7 \u03c4\u03ad\u03c7\u03bd\u03b7 &#8211; \u03c4\u03b7\u03c2 \u03b1\u03bd\u03b8\u03c1\u03c9\u03c0\u03bf\u03bb\u03bf\u03b3\u03af\u03b1\u03c2\u00bb. \u03a3\u03c4\u03bf \u0395.\u0393\u03b9\u03b1\u03bb\u03bf\u03cd\u03c1\u03b7 (\u03b5\u03c0\u03b9\u03bc.) \u00ab\u03a5\u03bb\u03b9\u03ba\u03cc\u03c2 \u03c0\u03bf\u03bb\u03b9\u03c4\u03b9\u03c3\u03bc\u03cc\u03c2. \u0397 \u03b1\u03bd\u03b8\u03c1\u03c9\u03c0\u03bf\u03bb\u03bf\u03b3\u03af\u03b1 \u03c3\u03c4\u03b7 \u03c7\u03ce\u03c1\u03b1 \u03c4\u03c9\u03bd \u03c0\u03c1\u03b1\u03b3\u03bc\u03ac\u03c4\u03c9\u03bd\u00bb, \u0391\u03b8\u03ae\u03bd\u03b1: \u0395\u03ba\u03b4\u03cc\u03c3\u03b5\u03b9\u03c2 \u0391\u03bb\u03b5\u03be\u03ac\u03bd\u03b4\u03c1\u03b5\u03b9\u03b1, \u03c3. 151-170.<\/li>\n<li>2018, \u00abThe Art of Research Practices between Art and Anthropology\u00bb (\u03b5\u03c0\u03b9\u03bc\u03ad\u03bb\u03b5\u03b9\u03b1 \u03b5\u03b9\u03b4\u03b9\u03ba\u03bf\u03cd \u03c4\u03b5\u03cd\u03c7\u03bf\u03c5\u03c2 \u03c3\u03b5 \u03c3\u03c5\u03bd\u03b5\u03c1\u03b3\u03b1\u03c3\u03af\u03b1 \u03bc\u03b5 \u03c4\u03b7\u03bd \u0395.\u0393\u03b9\u03b1\u03bb\u03bf\u03cd\u03c1\u03b7). FIELD.A Journal of Socially Engaged Art Criticism. Special issue (autumn) (\u03a0\u03b5\u03c1\u03b9\u03bb\u03b1\u03bc\u03b2\u03ac\u03bd\u03b5\u03b9 \u03ba\u03b5\u03af\u03bc\u03b5\u03bd\u03b1 \u03c4\u03c9\u03bd T.Fillitz, T.Ingold, G.Marcus, R. Sansi, A.Schneider,E.Rikou, C.Wright, E.Yalouri)<\/li>\n<li>2017, \u00abLearning from documenta. A research project between art and anthropology\u00bb (\u03c3\u03b5 \u03c3\u03c5\u03bd\u03b5\u03c1\u03b3\u03b1\u03c3\u03af\u03b1 \u03bc\u03b5 \u03c4\u03b7\u03bd \u0395.\u0393\u03b9\u03b1\u03bb\u03bf\u03cd\u03c1\u03b7). \u03a3\u03c4\u03bf On Curating 33, Special Issue on documenta, N. Buurman \u03ba\u03b1\u03b9 D.Richter (eds), \u03c3.132-138.<\/li>\n<li>2016, \u00abCrisis as Art: Young Artists Envisage Mutating Greece (\u03c3\u03b5 \u03c3\u03c5\u03bd\u03b5\u03c1\u03b3\u03b1\u03c3\u03af\u03b1 \u03bc\u03b5 \u03c4\u03b7\u03bd \u0397.\u03a7\u03b1\u03b2\u03b9\u03b1\u03c1\u03ac). \u03a3\u03c4\u03bf Visual Anthropology Review, Special Issue: \u00abUncertain Visions. Crisis, Ambiguity and Visual Culture in Greece\u00bb (\u03b5\u03c0\u03b9\u03bc\u03ad\u03bb\u03b5\u03b9\u03b1 \u039a.\u039a\u03b1\u03bb\u03b1\u03bd\u03c4\u03b6\u03ae\u03c2), vol.32, issue 1, \u03c3.47-60.<\/li>\n<\/ul>\n<p style=\"text-align: justify;\"><\/div><\/div><\/div>\n<p style=\"text-align: justify;\">\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":5,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[92,70],"tags":[],"class_list":["post-6250","post","type-post","status-publish","format-standard","hentry","category-cultures-and-cultural-production-en","category-research"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.rchumanities.gr\/en\/wp-json\/wp\/v2\/posts\/6250","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.rchumanities.gr\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.rchumanities.gr\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.rchumanities.gr\/en\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rchumanities.gr\/en\/wp-json\/wp\/v2\/comments?post=6250"}],"version-history":[{"count":10,"href":"https:\/\/www.rchumanities.gr\/en\/wp-json\/wp\/v2\/posts\/6250\/revisions"}],"predecessor-version":[{"id":9522,"href":"https:\/\/www.rchumanities.gr\/en\/wp-json\/wp\/v2\/posts\/6250\/revisions\/9522"}],"wp:attachment":[{"href":"https:\/\/www.rchumanities.gr\/en\/wp-json\/wp\/v2\/media?parent=6250"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.rchumanities.gr\/en\/wp-json\/wp\/v2\/categories?post=6250"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.rchumanities.gr\/en\/wp-json\/wp\/v2\/tags?post=6250"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}